RedTHE COMEDY WORKFLOW / 02
Give the idea room.
Then give it a draft.
The first note tells you where the thought began. Developing the material means finding the point of view, choosing the useful pieces and deciding what your audience needs to hear.
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One question → Board pieces → a draft to revise
Find the question
Start with what you actually think.
Before hunting for a punchline, write one plain sentence about the situation. What is awkward, excessive or unexpectedly familiar about it? Then write what you think about that. The difference between the event and your reaction is often where the material starts to feel like yours.
Keep the original detail in view. If the idea turns into a statement that could apply to anything, return to what happened: the words someone used, the small choice you made or the moment your expectation changed. You’re gathering things you can work with, rather than forcing every line to earn its place immediately.
Spread out the pieces
Let each piece do one job.
Try separating the situation, your reaction, a possible comparison and a line you want to keep. Moving those pieces around can make a missing connection easier to see. Which detail helps your audience picture the situation? Where does your attitude become clear? What could be removed without losing the thought?
You don’t need a large Board for a small idea. A few cards can be enough. If two pieces belong together, connect them. If a line feels worth carrying into a draft, keep it as Gold. You can leave the less certain pieces available for a later pass.
In Red: Board
Create cards, choose roles and colors, connect related ideas and keep chosen lines as Gold. These are manual tools you can use with or without AI. Moving cards around helps you examine the idea; you still choose what to write.
Make a writing pass
Write it in the order you would say it.
Use the pieces you chose to make a draft. Give your audience enough information to picture the scene, then let your point of view lead. Mark any phrase that obscures the scene and any explanation you keep adding. Those are useful places for the next pass.
Try a different paragraph order before rewriting everything. Keep one version focused on the scene and another on your reaction, then compare what each needs. Reviewing an earlier draft can help you recover a detail you cut too soon without replacing the current work.
In Red: Writing Room
Type or write by hand, preserve original ink and move paragraphs into a different order. Review saved drafts, use Focus or Find and replace, and choose type, spacing and page width. You can export or print your text when you want a separate copy.
A USEFUL STOPPING POINT
Leave yourself a clear next move.
You don’t have to finish the bit in one sitting. A note such as “shorten the explanation before the café scene” gives the next session somewhere to begin. When you want to take the bit to a show, choose its place in a set. The writing and the performance can keep informing each other.
A few choices stay yours
Do I have to ask AI to develop a bit?
No. Write, handwrite, arrange Board cards and revise the draft yourself. When you want another opinion, optional AI help can examine what is working, where a bit gets stuck or what else you could try. You decide what to develop and keep.
How does handwriting become typed text?
In the installed iPad app, Keep Type updated reads handwriting on-device after quiet pauses while the app is open. Review uncertain words. In a browser, Make typed draft needs a connection. Original ink can stay with the work; always review the result before relying on the typed wording.
YOUR WRITING. YOUR CALL.
Bring the idea.
Keep it moving.
Red brings notes, drafts, Board work and sets into one comedy writing workspace. Use the manual tools yourself, with optional AI help when you want another opinion.
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Questions? Read the help or contact Red.